Alastair Stout - Black On White (2005)
Alastair Stout - Black On White (2005)








Black On White
Orchestra
10 minutes
2 flutes, 2 oboes, 2 clarinets (in B flat), bass clarinet (in B flat),
2 bassoons, 4 horns (in F), 2 trumpets (in B flat), 2 trombones, tuba
percussion (2 players)
player 1: tam-tam, 2 gongs (high and low), tambourine, bass drum,
2 cowbells (high and low), crotales
player 2: vibraphone, tubular bells (G5 – C sharp6),
piano,
violin 1, violin 2, viola, violoncello & doublebass
First performed by the University of Pittsburgh Symphony Orchestra
conducted by Roger Zahab on October 31st, 2005, in the Bellefield Hall, Pittsburgh,
with art work by Jeremiah D. Welsh. Click to view event flier.
Programme note:
Black On White is based on the 15th Century Compline hymn Christe, Qui Lux Es Et Dies
by Robert White. The hymn is heard three times on the strings, each time being separated
by a carillon on tuned percussion. The woodwind, brass and percussion take turns to ‘stain’
the string chorus using fragments of the hymn in a variety of transformations. The hymn is
therefore mutated by itself - Robert White discoloured by his own music. Whilst writing the
work, I also had in mind the painting Three studies for figures at the base of a crucifixion by
Francis Bacon. I like the idea of warping White’s music - looking at it from different angles
in different lights not unlike some of Bacon’s portrait ideas. The Three Studies also influenced
the triptych structure and the religious source material.
Our sleep be pure from sinful stain,
Let not the tempter vantage gain,
Or our unguarded flesh surprise,
And make us guilty in thine eyes.
Verse 3 of the Compline hymn
(Hymns Ancient & Modern)
Sound sample - central section - performed by the University of Pittsburgh Symphony Orchestra, conducted by Roger Zahab.